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Heartbeat

The Frighteners

Peter appeared as Raymond Walker in episode six of the third series of Heartbeat. The Frighteners was written by Brian Finch and broadcast on Sunday, 7 November 1993 on ITV.

Episode Synopsis

Nick is called in when Greengrass attempts to take the law into his own hands and Kate asks his advice about a patient who is being threatened.

© TV Times

Regular Cast  

Guest Cast

 
PC Nick Rowan  Nick Berry Jane Thompson Dora Bryan
Dr Kate Rowan Niamh Cusack  Raymond Walker Peter Gilmore
Sergeant Blaketon  Derek Fowlds Jennifer Bradshaw  Susan Jameson
Claude Jeremiah Greengrass  Bill Maynard Eric Bradshaw Dave Hill
PC Ventress  William Symons    
PC Bellamy  Mark Jordan    


Peter With Heartbeat star, Nick Berry

Part 1

The episode opens with Claude Greengrass walking across the village green with his dog, Alfred. As he passes Jane Thompson’s cottage, the two exchange a few words. “I Love My Dog”, sung by Cat Stevens, is heard as man and dog wander through the woods, Alfred soon running off and Claude calling after him. A man’s feet are seen, stepping cautiously …… a gun is loaded ….. and then the man is seen at the top of a small rise, gun in hand and accompanied by a golden Labrador, looking down on Greengrass and Alfred. He aims and fires, narrowly missing the pair.

A shaken Greengrass recognises the man and asks what Walker is up to. “You’re trespassing, Greengrass …….. Shove off, the pair of you ……” Walker takes aim again but Greengrass does as instructed and the two men walk away in opposite directions, each with his dog.

Jane, an elderly lady, is working in her greenhouse when Greengrass walks by again. She talks to Charlie, saying that Raymond Walker is a “right little Hitler”. The camera focuses on a photo of a man in his sixties - Charlie, her recently deceased husband.

As Constable Nick Rowan leaves home, Greengrass stops him to report the shooting incident. Nick asks Claude if he was on Walker’s land but the old scoundrel insists it is a public right of way. The policeman agrees to speak to Walker.

In the next scene Dr Kate Rowan (Nick’s wife) is leading an exercise class of middle aged and elderly people. Mrs Thompson arrives with her daughter, Jennifer Bradshaw. The older woman is clearly independent and does not like being fussed over. 

Nick speaks to Walker who says he wasn’t shooting at the dog. He explains that his sheep have been harassed by dogs recently.

While out walking by a stream while off duty, Ventress sees something moving in a bag …… he pulls out a tiny kitten which he takes away with him. PCs Ventress and Bellamy are playing with the kitten when Sergeant Blaketon arrives and asks what a kitten is doing at the police station; he then steps in a saucer of milk.

Jenny is worried about her mother who lives alone. She tells Kate that Jane says she has been getting “funny phone calls”, plus she has found her mother talking to her father. Jenny wants her mother to move in with her.

Blaketon tells Rowan that Walker has complained about him - the latter has powerful friends - and Rowan is instructed to tell Greengrass to keep away from Walker’s land.

That evening Mrs Thompson is at home …… someone in a public telephone box makes a call ….. Jane’s phone rings ….. she tells Charlie’s photo she’s not going to answer ….. the ringing eventually stops. Jane hears someone outside, sees a face through the window and then someone knocks and knocks on her door - she’s clearly frightened.

Part 2

Kate visits Jane who tells her what has been happening; she makes it clear she does not want to move in with her daughter. The doctor says she will get her husband to come round.

Claude attempts to walk across Walker’s land again but the farmer has had a keep off, private land sign erected. He just looks at Greengrass who turns round and walks off. Meeting Rowan, he shows him the sign but the policeman says it is a civil matter and he cannot do anything.

The constable continues on his motorbike to the Thompson cottage where he finds Jane playing Procul Harum’s “A Whiter Shade Of Pale” to her plants. She tells him she has been getting phone calls for several weeks. Rowan says he will get the exchange to intercept her calls and tells the woman to phone him if anything else happens.

Over lunch Nick and Kate discuss Walker’s action in fencing off the right of way and Jane. Nick is unsure whether her story has been made up through loneliness.

That evening Mrs Thompson again hears noises outside. Nearby, Greengrass also hears something.  Jane makes a phone call but the line is cut.

The next morning Claude shows Nick the broken panes in Jane’s greenhouse and says he knows who is responsible. It emerges that Raymond Walker has been trying to buy the cottage and had made Mrs Thompson a couple of unusually high offers.

The policeman visits Walker at his home but the man has an alibi for the time when the greenhouse was vandalised. When asked why he wants the cottage, Walker says he wants to knock down the cottage - “It ruins the view from my lounge window”!

A friend of the farmer, a high ranking policeman, has spoken to Blaketon who warns Rowan to keep away from Walker’s land.

Whilst trimming the grass edges in his garden, Walker receives a visitor who says it would be to both their advantages to have a chat about Jane’s cottage - they enter the house together.  Next we see Jane moving out of her cottage, clearly upset at leaving.

Part 3

Dr Rowan arrives at the cottage where Walker tells her he has bought the place and that Mrs Thompson has left.

Kate goes to Jenny’s home where she meets Mr Bradshaw. He says Jane has moved into an old people’s home, having refused to live with them. The doctor visits the home and finds her patient “down”. She refuses to tell Kate why she sold the cottage. Jenny arrives as Kate leaves and they exchange a few words.

In bed, Nick and Kate talk about Jane - both are puzzled why she left.

Jane “escapes” from the old people’s home and goes to Charlie’s grave.

Nick detects a funny smell in Blaketon’s office. He shows the sergeant a piece in the paper - Walker is building fifty bungalows on his land - but Blaketon tells him to “drop it”. Ventress and Bellamy enter the office, the former holding the kitten and he is told to get rid of the animal. Ventress says he can’t put the kitten down; his fellow constables also refuse. Blaketon demands the kitten and takes it, saying he is going to the vet.

Rowan, presumably called by Walker, arrives at Jane’s former home to find the man and his workers outside - Jane has locked herself in the cottage.

Nick persuades the woman to let him in and she tells him she did not want to sell the place. Eric, her son-in-law, told her he was going to accept Walker’s last offer whether she liked it or not. He thought he could do this since Jane had signed the deeds over to the Bradshaws when she had been poorly the year before; when she recovered Eric told her not to bother to sign them back.  Nicks asks Walker if he owns the cottage and he replies not officially but that he has the owner’s permission to demolish it. He is informed that Bradshaw isn’t the owner and in fact the man could be facing an investigation.

Nick and Kate visit the Bradshaw home to let Jenny know her mother is safe and at the cottage. They talk to the couple, as a result of which Jenny realises her husband was responsible for the calls, disturbances and vandalism at her mother’s. She backs up his alibi but once the Rowans have left, she confronts her husband.  He admits responsibility - Kate and Nick standing outside hear the raised voices …..

Jenny arrives at the cottage - she has come to stay with her mother, having left Eric. She tells Jane it’s time to let her father rest in peace.

Rowan advises Blaketon that Greengrass (who the sergeant can’t abide) is suing Walker about the right of way. Ventress enters the office to pass on a message from the vet - Blaketon left the inoculation certificates behind. The supposedly hard-hearted sergeant’s secret is out! The final scene has Blaketon alone in his office, holding and talking to the kitten.

Note

Since Anne guested in the previous episode of Heartbeat, Chilly Reception, I assume she and Peter stayed in Yorkshire together whilst both episodes were filmed. As far as I’m aware, these two Heartbeat episodes are the closest the couple have come to acting together since The Onedin Line, though they have been interviewed jointly on television a couple of times. (I have been told that Anne & Peter did a play together but so far have not come across any information about a joint venture - if anyone knows anything, we would love to learn more.)

DR, August 2004

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